owen148752
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Posted: Wed 8:28, 20 Apr 2011 Post subject: Beijing Private Tour |
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Wenji With disinclined heart, and obtain along with twelve years of her husband and children and the South Hsiungnu Chanyu Wang crying goodbye. At this time, already become a theme - part of the round walls of a massive blue canopy and the maid suddenly curve the masculine guards salute, chanting: "Zhu Wenji Mrs. Bon journey!" This no only broke with the space constraints, but also broke through the people and scene constraints, thereby rendering the Wenji mighty "life from" the poetic mood.
Next, Cai Wenji waded slowly along in the center of the stage,[link widoczny dla zalogowanych], "a step in the complicated apt move far enough, uh," and suddenly the shutter began to close in unconsciously, and while close to the stage merely one-third of the time stopped for a moment,[link widoczny dla zalogowanych], but too in the song "Oh man pierced stirred enterohepatic Mo I understand", the fast shut down. Jiao said: "This is to create a stage context to move behind the whole consciousness of admiration towards Gui Han to Wenji the access, but also to the audience's heart." No marvel people praise: "This is really the screenplay masterpiece to the stage with live! compare to fully convert an momentous masterly role method heart. "
He gradually in-depth learning of such a reason - in orthodox Chinese painting techniques, there is accent on the mood of the scene rendering practices. Throughout the design process, Chen Yongxiang often encountered new problems and new challenges, so he persisted to be puzzled, but also the crop. He gradually in-depth knowledge of such a reason - in orthodox Chinese painting techniques, there is emphasis on the mood of the scene rendering practices. In array to deliberately paint a portrait of Love, but also to deliberately paint a portrait of Love. Brief specification for this scene, re-express the interior mood of traditional art practices, regardless of the poems in the Chinese paintings, are unique.
To this end, Chen Yongxiang re-intensive of the Tang Dynasty. A lot of good poems, so tin serve for role models are to be learning, such as Zhang's poem "Midnight Bells." This poem above all peep seems to paint a portrait, such as "sky moonset Wuti emulsion" is written in heaven; "Jiang Feng and ship lights, I sleepless lie," is written in the creek; "Cold Mountain Temple outdoor the metropolis of Suzhou," was to jot of the mountains ; "midnight peal to the tourist ship" is written near the canoe. However, what we ambition ascertain that thoughtful scrutiny, it is not equitable written a scene, it is written in love. Qian Sanju wrote each word is focused aboard "end" the averaging of the word, which in corner are planned to contrast of the fourth sentence - but only their own floating out half their days do not have a settled "end" of definition. This comparison approach is quite contagious.
In the third perform of design, drawing Chen Yongxiang full use of the Chinese poem "than", "Xing" the law of the Second Law, highlighting the mausoleum of Cai Yong Cai Wenji thoughts in his father's mourning idea the children and feelingful ups and downs of preoccupied surging dynamic fancies. He calculated to encounter such a apply, in setting the air, it should be to "Contrast", "contrast" approach to highlight a "static" word. Stage only a towering cypresses formed ramps,[link widoczny dla zalogowanych], misty moonlight, fog fraught the atmosphere, stone stripping remnant, always thanks to the crowd the emancipation to assume, leaving enough space to "Dreams" when the performer appears to fully show. At the same time, paired with lighting, sound and melody with smart.
Chen Yongxiang in the design process in a month, has painted hundreds of pieces of sketches, and finally acquired satisfactory results, is that people mention "There are citizen characteristics, and complete stage art design." He has a sense of deep and said: "In the stage arts, the main principles of art is - I, favor and not like a uniform; Second, very alike to the consensus and shape; third, restricted space and the unity of endless space; four, life the unity of fact and artistic truth. These, I still benefit, and do not forget also. "
A cinema analyst for the "Wenji" The stage design had such high marks: "Here the King, can be quite large, and generally have seldom watched such a big drama scene, but it is not so can not find the actor who was big enough and does not make people feel out of touch with the King, why, choreographers designers really know how to quest a likely endless, and from there to make people think in the endless. "" One is to depend on sense to chase the endless landscape is impossible, blind pursuit of the big stage, not testimony of the train, but will sometimes limit the space. a very important reason is that this is still, and lost the behavior on stage, lost the changes, endless Lenovo also lost the basis. Consequent, should be good to focus on the stage to cater dynamic representation, the rendition of changing conditions. move, alteration the subject, should be the person is fulfilling. "
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